Reportage by Getty Images. Inspiring and iconic photojournalism from award-winning photographers and new emerging talent.
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Photojournalist Sharing the World through Instagram
Photojournalists from around the globe have begun using Instagram as an...
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New portfolio books for @brinsonbanks came in yesterday. Excited to get these out in the world.
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Time flies when you’re having fun! Open Show New York City launched at the BDC last year and it’s great to welcome them back to...
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Burma: Ethnic Cleansing of Rohingya Muslims in Arakan State
Burmese authorities and members of Arakanese groups have committed crimes against...
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“Be a human first and a journalist second,” Donna De Cesare once told me.
Even before she became my professor at the University of Texas, Austin, I...
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“I am at war with the obvious,” the photographer William Eggleston said in a conversation with the author Mark Holborn, which became the afterward...
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If you’re in New Orleans, do not miss the screening of Steve Pyke’s Moonbug on April 13.
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Afghanistan’s Wakhan Corridor
Afghanistan’s Kyrgyz nomads survive in one of the most remote, high-altitude, bewitching...
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Photos: Kyrgyz People Cling to Tradition in Forbidding Corner of Northern Afghanistan
Photographer Matthieu Paley spent more than a decade...
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Last week, the photographer Matt Eich took The New Yorker’s Instagram feed with him to Sweetwater, Texas, for the Sweetwater...
Jonathan Torgovnik’s Intended Consequences, which documents children born of rape during the Rwandan genocide, will be shown at the Yangon Photo Festival, opening reception February 13.
A woman prays while her sister, Lamung Kailing, is treated for injuries sustained from mortar shrapnel December 27, 2012 in Laiza Hospital, Burma. Lamung Kailing, a mother of two, was working on a watermelon plantation when two Burmese Army mortar grenades landed near her and three other villagers.
In 2011, the Burmese army ended a 17-year ceasefire and launched an offensive against rebels in northern Kachin state. Since then, around 100,000 Kachins have been displaced.
See more images from Kachin Conflict, by Christian Holst, here.
If you’re in Chicago, be sure to go see Christian Holst’s exhibit Blood/Stones: Burmese Rubies, currently up at the Field Museum. You can see some of the images in his Reportage portfolio.
