Reportage by Getty Images. Inspiring and iconic photojournalism from award-winning photographers and new emerging talent.
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Astronauts Snag Dramatic Photographs of Alaska’s Erupting Volcano
Images of volcanoes from space are often kind of dull. These, we assure you,...
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Melville B. Grosvenor, Editor of the Magazine and President of the Society, admires new globes on a conveyor belt in a Chicago plant, December 1961.
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Photojournalist Sharing the World through Instagram
Photojournalists from around the globe have begun using Instagram as an...
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New portfolio books for @brinsonbanks came in yesterday. Excited to get these out in the world.
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Time flies when you’re having fun! Open Show New York City launched at the BDC last year and it’s great to welcome them back to...
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Burma: Ethnic Cleansing of Rohingya Muslims in Arakan State
Burmese authorities and members of Arakanese groups have committed crimes against...
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“Be a human first and a journalist second,” Donna De Cesare once told me.
Even before she became my professor at the University of Texas, Austin, I...
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“I am at war with the obvious,” the photographer William Eggleston said in a conversation with the author Mark Holborn, which became the afterward...
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If you’re in New Orleans, do not miss the screening of Steve Pyke’s Moonbug on April 13.
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Afghanistan’s Wakhan Corridor
Afghanistan’s Kyrgyz nomads survive in one of the most remote, high-altitude, bewitching...
Tomorrow, Sebastian Liste will join a panel of photographers including Larry Towell, Paolo Pellegrin, and Steve McCurry at the opening of an exhibition of their photographs at La Galerie de l’Instant in Paris.
Caption: SALVADOR DE BAHIA, BRAZIL – DECEMBER 13, 2009: A woman smokes during a Candomble celebration in a favela in Salvador de Bahia, Brazil. Candomble is an Afro-Brazilian religion which mixes animist beliefs brought by slaves from Africa with Catholicism introduced by Portuguese colonizers. (Photo by Sebastian Liste/Reportage by Getty Images)
Since 2004, the Getty Images Grants for Editorial Photography have provided funding to photojournalists working on stories all over the world. This year, five more grants will be awarded, and entries are now being accepted.
Images from previous winners shown (clockwise from top): The Other War, by Miquel Dewever-Plana; Requiem in Samba, by Alex Majoli; The E-Waste Trail, by Stanley Greene; Upstate Girls, by Brenda Ann Kenneally
‘The Renewables Project is a unique photographic vision of the hydroelectric landscapes of Scotland mid-winter. Nocturnal icy vistas combine with brutalist structures in this award-winning series of large-format images.’
Toby Smith will be showing more from this project, and also images from Light After Dark, at The Hospital Club in London this weekend. Read more on the Getty Images blog.
Sebastian Liste and Toby Smith are among the photographers and artists exhibiting at this years Format Festival in Derby, UK. The festival runs from March 8 - April 7.
Images here from Liste’s Urban Quilombo and Smith’s Scottish Renewables.
Peter Dench, chronicler of England’s least glamorous moments, is continuing his unfiltered take on British life. Dench’s in-progress project, The British Abroad, will premiere at the Photoreporter festival in October.
Image from England Uncensored.
Monday March 4 press event will give an historical overview of the Smith Fund and a presentation by 2012 recipient Peter van Agtmael.
Aperture Foundation 547 W. 27th St. 4th floor, NY, NY
Monday, March 4, 2013, 5:00 p.m.
To be followed by the public event: Strategies for Photographers: Thoughts On How To Apply For Fellowships and Other Competitions
Can you imagine A Day Without News?
One year ago, legendary correspondent Marie Colvin and photojournalist Remi Ochlik were killed in Homs, Syria. Evidence from eye witnesses suggests that the journalists were targeted by the Syrian regime in an attempt to limit exposure of the war’s atrocities. Their deaths struck an industry still reeling from a string of tragic losses, including the deaths of photojournalists Chris Hondros and Tim Hetherington in Misrata, Libya, in April 2011.
Watch the U.N. Secretary General’s message of support
“It is unacceptable that those looking to report objectively from conflict zones around the world are deliberately singled out, targeted and murdered with impunity, with those responsible for their deaths not facing any repercussions. Without these journalists bearing witness, atrocities committed in war would go unremarked and it is an equal cruelty that their deaths go without justice. This is a situation that has to change. We are heading towards a day when it will be too dangerous for journalists to enter into or report from war zones.” - Aidan Sullivan, Vice President, Photo Assignments, Editorial Partnerships and Development for Getty Images and founder of A Day Without News?
A Day Without News?, launching today, will raise awareness of the risks faced by journalists and photojournalists in war zones, and lobby governments and tribunals to pursue and prosecute those who harm members of the news media. Many media professionals find themselves deliberately targeted when attempting to cover conflicts, and, while it is considered a war crime to do so, there has been little to no enforcement of this international humanitarianlaw. Over the past decade, 945 photojournalists and correspondents have been killed while covering conflict zones, 583 of these without any resulting prosecutions as war crimes. Ninety journalists were killed in 2012 alone, the deadliest year on record.
Please visit A Day Without News? to learn more and to add your name in support.
Lynsey Addario speaks with CNN’s Christiane Amanpour about the A Day Without News campaign:
Addario: ‘It’s very clear that it is much more dangerous to cover Syria now than it has been to cover war in the past’
Amanpour: ‘Imagine a world without journalists. It’s every dictator’s dream. At the top of every tyrant’s wishlist. And as we’ve seen, in far to many parts of the globe, it is a terrifying reality.’
Photographers Tadas Kazakevicius and Darius Chmieliauskas had returned home after shooting a photo story in 2011 when they realized that they had no place to show their images. In their native Lithuania there were no dedicated websites for sharing documentary photo essays and connecting with other photographers. To solve the problem, they started Latitude55. The website, which takes its name from Lithuania’s location at the 55th parallel, has become a support group as well, offering advice and collective wisdom to Lithuanian photographers.
At some point, almost every photographer has discovered one of their images bouncing around the internet without any credit. Marksta, a new app developed by Reportage Featured Photographer John D McHugh, allows users to easily add watermarks to images taken on their iPhones. For a limited time, it’s free on iTunes.
UPDATE: As of Jan. 28, Marksta has been launched for the iPad. Some other new features are EXIF/IPTC preservation, Flickr integration, and hashtagging for Tumblr, Flickr and Instagram.
