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In the summer of 2012 we printed the first Reportage Magazine, which showcased the wonderful and inspiring work of the talented photographers we represent. We have now released the second issue, along with a full multimedia version of “God’s Ivory,” by Brent Stirton.

Reportage Magazine is accompanied by an online version available on the Reportage website. We are proud to pay tribute to the photographers we work with, to recognise their talent, to put a spotlight on them and to tell the stories about the genesis and creation of their work.

All too often the dedication and commitment of these extraordinary people is overlooked and the personal hardship and risks they undertake in order to create their stories is dismissed and taken for granted.

Please join us in celebrating their creativity and passion and congratulating them on their marvelous achievements.

Best Wishes,
Aidan Sullivan
Vice President Getty Images

Reportage photographer Jonathan Torgovnik is among the photographers whose work is on display in “I Dream of Congo: Narratives From the Great Lakes,” an exhibition at Conway Hall in London until Feb. 23.

‘I Dream of Congo: Narratives from The Great Lakes’ will be a unique exhibition combining words and images from renowned international creatives alongside a groundbreaking exhibition of photos taken by women in eastern Congo.

The exhibition and accompanying events will celebrate the hope and optimism that pervades in the region despite years of war. It will also pose hard questions around the international community’s inaction in the face of the conflict, the continuing illicit trade in minerals from Congo and the failure to stem the tide of sexual violence.

The show is being produced by Congo Connect, a UK-based organization that raises awareness about issues affecting eastern Democratic Republic of Congo. Read more about the show on the Congo Connect Web site.

(Photo by Jonathan Torgovnik/Reportage by Getty Images)

Jonathan Torgovnik’s Intended Consequences, which documents children born of rape during the Rwandan genocide, will be shown at the Yangon Photo Festival, opening reception February 13.

In his 12 years at Newsweek, Senior Photo Editor Jamie Wellford has been a friend, supporter and reliable drinking buddy of many Getty photographers. So it’s with some disappointment that we learned that last week was his final one at the magazine. As he heads to greener pastures, the editors and photographers here at Reportage by Getty Images offer their gratitude and wish him all the best in his next endeavor. We’ve also rounded up a few personal tributes from members of the Reportage family who knew him well.

Alvaro Ybarra Zavala:

“Jamie Wellford is and will be one of the most important people in my life as a photographer. He opened doors for me in the American publishing market and supported me unconditionally during my early years as a professional. I will never forget my Newsweek assignment in Iraq during which Major Megan McLung was killed by an I.E.D. shortly after I took her photo. On that dark day, Jamie was a great boss and a great human being. He is, without a doubt, an icon, leader and friend of my generation of photographers. Good luck Jamie.”

Jonathan Torgovnik:

“I’ve worked with Jamie for over ten years as a freelancer, and as a contract photographer for Newsweek from 2005 to 2010. Jamie has always been a unique, smart and concerned international photo editor. There are very few photo editors left that have the geo-political understanding of the world that Jamie has; it was a pleasure to brainstorm about world events with him. He has been a source of inspiration and a good, loyal friend for years. We will miss you and Newsweek.”

Benjamin Lowy:

“I didn’t work extensively with Jamie, but nontheless he was one of the most important mentors and influences on my work as a photographer and a father. Every trip I made to the Newsweek offices - whether at 57th Street, down near Wall Street, or its final resting spot in Chelsea - was always an immersive photographic experience. Jamie was the last of a generation of Photo editors that made 8x10 prints of every photograph and essay that came across his desk. Amazing photographs from around the world that piqued his interest littered his desk along with books and magazines, tearsheets and post-it notes. He would let me sift through this treasure trove and would ask my opinion, not in a coy patronizing way - but in the genuine interest of someone who valued every image-maker’s opinion.

“But it was Jamie’s experience and advice as a father that helped me the most, that helped me deal with the universal issues that all fathers deal with - how to be a good dad, and how to be a good man.”

Sebastian Liste:

“Jamie was the first editor who opened doors for me in New York. I went to his office in 2010 with my first images from Brazil and the advice and feedback he gave me encouraged me to finish my project, “Urban Quilombo,” my most important body of work to date. I’m forever grateful for the kindness and support he gave me.”

Marco di Lauro:

“I’ve known Jamie for 15 years, and one of the last times I saw Jamie in New York I went to visit him at his office. He said to me: ‘Marco, I have to teach at the ICP tonight but I’m really tired. Why don’t you come by for just a half an hour to give a lecture. Your photography is beautiful and I love it, and please help me out!’ I told him I could, but only for a half an hour, because I had a date with someone for dinner. So I went and gave a lecture, and I was so struck by what a great teacher he was, and how amazing, challenging and smart his students were, that obviously I stayed longer than a half an hour — and lost my date!”

Aidan Sullivan:

“This industry attracts some extraordinary characters, disproportionally so considering how small a community it actually is. But our industry thrives on these characters and is better off because of them.  Their passion, commitment, vision and drive inspire and encourage the photographers they work with and the generation waiting in the wings. Jamie is one of these extraordinary people. Everyone who has had the pleasure and privilege to work with or for him comes away with more than they arrived with. He is the quintessential journalist, driven by a thirst for knowledge and an even more powerful need to pass that knowledge on to others. He is a friend and an inspiration and we all wish him every happiness and success in what lies ahead.”

OWANDO, REPUBLIC OF CONGO - MAY 12, 2011: A local volunteer with the Congolese Red Cross prepares cassava cuttings tolerant to mosaic disease, a plant virus which limits production of the important food crop, that will be distributed to the local population. (Photo by Jonathan Torgovnik/Reportage by Getty Images for ICRC)

Jonathan Torgovnik has been named a Canon Explorer.

WAR/PHOTOGRAPHY: Images of Armed Conflict and Its Aftermath

This show is possible because photographers have recorded their experiences in and around armed conflict.  The atrocities, the courage, the caring.  All of those human emotions and human actions that surround war. - Anne Tucker, Curator

Photographs by Alvaro Ybarra Zavala, Jonathan Torgovnik, Benjamin Lowy, Chris Hondros, and Spencer Platt will be included in the exhibition WAR/PHOTOGRAPHY at the Museum of Fine Arts, Houston.  Please see more info here.

‘When I interviewed those women, the last question I always asked was: “How do you see the future?” They always answered that they didn’t, that they had to live through today, that they had problems to resolve and that they weren’t capable to think for the future. Then I asked if they had means, what would they do? And they always said that they would make sure that their children get the education. I found that amazing! After all that happened to them, the complexities they had – many of them were diagnosed HIV positive, the fact they are very poor, the first thing they think about is the education for they children. It was beautiful that they understood the value of education.’

From an interview with photographer Jonathan Torgovnik in FK.

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picturedept:

Jonathan Torgovnik: Intended Consequences announced as winner of the Discovery Award 2012 at Les Rencontres d’Arles

As announced earlier in July, Jonathan Torgovnik is the recipient of this year’s Discovery award at Les Recontres d’Arles, a photo festival in the south of France founded in 1970.

Intended Consequences is a series of portraits of women who were raped during the Rwandan genocide and the children born of that violence. Though these women survived the torture, their lives are a continued struggle with the shame, guilt, and isolation after being brutally raped, of bearing a murderer’s child, and, in some cases, of contracting HIV/AIDS.

Torgovnik plans to donate a large part of his €25,000 prize to the organization he cofounded while at work on this project, Foundation Rwanda. Established in 2008, one of the foundation’s main objectives is to support the mothers and children surviving the trauma of the 1994 genocide. To find out more or to make a donation, visit foundationrwanda.org.

Congo Roots

With the ICRC, Jonathan Torgovnik recently travelled to the Republic of Congo and the DR Congo to document the rebuilding of the region following an outbreak of violence in 2009.

‘I’m very interested in looking at issues related to post-conflict and look at the people that are left with a lot of the burden after a war.

It always goes back to the people, and the people who are suffering because of conflict, because of politics, because of a lot of issues that are going on.’

Jonathan Torgovnik, along with the International Committee of the Red Cross, journeyed into the Republic of Congo and the Democratic Republic of the Congo to document the rebuilding of the region following an outbreak of violence in 2009.

See more on the CNN photo blog.

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